If you’re like me, the release of Migos’ new album was the highlight of your week when it came out, and you’ve been blasting it ever since. At the gym, in your car, walking through campus; it really doesn’t matter, because the album is consistently lit enough to get you through any part of your day.
Following the release of their album, Migos interviewed with Rolling Stone, during which the interviewer asked how they felt about iLoveMakonnen coming out. Apparently this was news to Migos, and there was an awkward silence before Quavo expresses his surprise. Even more, they express distaste with the fans and others who supported iLoveMakonnen’s decision, with Offset saying, “This world is not right.” Along with many others, Migos seem to believe that not being cisgendered and heterosexual undermines the credibility of a hip hop artist.
This attitude is not at all new to hip hop culture. While some artists have been accepted in mainstream culture recently, for the most part the hip hop culture and lifestyle is seen as incompatible with anyone whose identity lies outside of gender norms. This credibility issue continues to come up, with even artists that say they support LGBTQ artists not wanting to have ties with them. When giving statements supporting the LGBTQ community and the artists that identify with some part of it, straight hip hop artists often preface their support with, “I’m not gay but…” Why is this qualifier necessary? Why is hip hop so determined to separate itself from certain groups of people?
Some artists don’t believe hip hop culture will ever fully accept LGBTQ artists in their ranks, because, according to an interview with Snoop Dogg, it’s such a “masculine” genre. Migos themselves have often raved about the diversity of hip hop in Atlanta, yet cannot reconcile the idea that diversity can include personal identities about sexuality. With hip hop lyrics often littered with slurs about gay men, artists who don’t identify as straight men are often disinclined to be real about their sexuality, in fear of losing “credibility” in the hip hop culture.
In a Vulture article earlier this month, the writer posits that rejecting the idea that anyone who is not straight can be a “real” hip hop artist is simply bigotry used to protect the hierarchy in hip hop culture. To be a “real man” means certain things, and for the most part, hip hop doesn’t seem inclined to work to change that.
There have been a train of artists working to provide more inclusion for LGBTQ artists in hip hop. Many, like Jay-Z, have changed their tune concerning old lyrics spouting homophobia, apologizing for them. The recent uptick in artists coming out has forced many hip hop artists to grapple with their own homophobia, and if they are still going to discriminate against artists, and other individuals, who don’t fit their idea of a “real” hip hop artist. While hip hop has often been used as a tool of social activism to fight against injustice, it seems that a glaring blind spot has existed with LGBTQ rights, and will most likely exist for a long time until many more artists within hip hop work to change that aspect of culture that discredits artists who aren’t straight men.
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